1 - 30 October 2004
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Seminar Day - Saturday 2nd October 2004

A day of talks and interviews on photography and photographers. 10.00-16.00. Wye Room, Gwynne Studio, Kate Square, Left Bank Village. Chaired by Richard Heatly, Principal of Herefordshire College of Art and Design.

10.00 KayLynn Deveney is currently researching photographic diaries and working in the diaristic format herself. She will discuss her collaborative project “Dialog”, exhibited at this year’s festival, as well as her other diaristic projects

11.00 Break for refreshments

11.15 Rosie Barnes talks to Robert Ashby about her photographic work “Understanding Stanley - Looking Through Autism”

12.30-14.00 Lunch and time to see exhibitions elsewhere

14.00-15.30 Tom Reynolds, The Sunday Times Magazine discusses the problems with accuracy and authenticity in conflict photography with award winning photo-journalist Tom Stoddart.

Portfolio reviews - Sunday 3rd October

An opportunity for photographers at all levels to meet for a one-to-one hour long session to discuss their work and its possibilities with international photographers KayLynn Deveney from USA or Annet van der Voort from Holland.

Nina Gustavsson, 2004 exposure co-ordinator/curator will also be available during the festival to view and discuss portfolios and their possibilities. Please arrange with Festival Office.

Bookings
Bookings can be made by phone to the Festival Office on 01432 351964.

Seminar Day 2nd October - day ticket (3 lectures) £15.00 - one lecture £7.50
Portfolio Review 3rd October - £10.00
Concessions and Friends of the Festival £5.00/event

The Folly Arts Lectures

A series of lectures on photography, open to the public, will take place at the Herefordshire College of Art and Design during the festival period.
13th October - Edgar Martins
20th October - Martina Mullaney
27th October - Michael Walter
3rd November - Greg Lucas
Contact Herefordshire College of Art and Design 01432 273359 for booking, or watch this space for further details.

Photography Appreciation Day - 12th October

An opportunity to view and discuss the exhibitions with photographers and lecturers of photography at the Gwynne Warehouse Gallery, the City Art Gallery, The Courtyard and The Herefordshire College of Art and Design. These talks are aimed at both the general public and student groups. We anticipate talks to start on the hour 10.00, 11.00, 14.00 and 15.00 in each venue and last for 30-45 minutes. Could we please ask large groups of students to book slots with The Festival Office.

Herefordshire Archive Service Open Day

Herefordshire Archive Service will be holding an open day on Saturday 23
October 2004 at Herefordshire Record Office, Harold Street, Hereford HR1 2QX (10.00AM-4.00PM).

Focusing on gardens and gardening, there will be a number of interesting archives on display. Come and listen to the stories of a ‘ real’ Victorian countryman and take part in a gardening competition. exposure invites you to have your photograph taken as a Victorian gardener. You can also participate in a plants in archives workshop and explore some of the
secret nooks and crannies of the archives.

There is no charge but you are advised to book a place on the tour of the archives. Tel 01432 260750.

“look at yourself” Play Nightclub

?look at yourself? Play NightclubThree photographers taking pictures of clubbers and projecting them in as close to real time as is possible. The aim is to make young people the star of a fictional billboard for the night and get an insight into the power of photography and advertising.

Other exhibitions

In addition to the official festival exhibtions there are other photographers showing their work in Hereford during Hereford Arts Week, 11-19 September

‘Meet The Parent’
Tom Preston



Doodi's Restaurant
St Owen Street
Hereford
opening hours Mon-Sat 10.00 - 23.00

Meet The Parent is a personal insight into the life of a single parent family, made up of a Father and two teenaged boys. The reason why the project is so personal is the fact that the single father is my (the photographers) brother. In many ways this dictated the approached I took with the subject matter and strongly influenced the final images.

The way in which I knew the subjects made me want to show the viewer that although the situation wasn’t perfect, its quite possible to bring up children in a warm loving and balanced environment whilst coping by oneself.

 

How I was trafficked
Laurence Squire



The Upper Canyon
The Courtyard
Hereford
11 - 25 September 2004

“My name is Namita Kartum. I don’t know where and when I was born. I have never had parents. Someone told me they were dead.

When I was very little, I was brought to the village of Kharashambol to live with my uncle an aunt. They were very poor. They both worked hard in the fields, but we never had enough to eat. I didn’t go to school. I had to help my uncle and earn money. Sometimes I would carry two big loads of wood tied at each end of a long stick resting on my shoulder. This was hard work and my back ached constantly, but some people paid a few takkas for my wood. Other times, I would ask the man running the place where they make bricks if I could work there for the day. I would sit for hours in the sun, breaking bricks, sometimes with a little hammer, sometimes with a stone. In one day, I could bring home 30 Takkas (about 35p).

But we were still very poor and my uncle had his own children to feed, so when I was 12, he arranged a marriage for me. My uncle couldn’t pay for an expensive dowry, so my husband was very poor too.

I went to live with my husband’s family. I still had to work hard, fetching water, preparing the little food that we had and working as a daily labourer when my husband let me. When I was 14, I fell pregnant. But my husband got sick and died when I was one month pregnant. My child was born but also died because he was sick.

My husband’s parents didn’t want to keep me because they didn’t have enough money and I was useless to them. I had to leave. I started working as a maid. It was a terrible life. The people I worked for were beating me and I was always hungry. I was all alone because people were avoiding me as I didn’t have a husband, and sometimes they would even beat me. It was unbearable, my body ached all over and I was so hungry, one night I left. I didn't have to pack, I didn't have anything. I went to the railway station. I didn’t have any money to get on the train. I just sat on the ground.

Then a woman came to talk to me. She was so friendly and I was so upset that I told her my whole story. She listened to everything I said and held my hand. She took me to her house and gave me some rice and daal. That night I slept on a mat next to the woman. The next day, the woman said we were going to Dhaka. I had never been and I was really excited. And the woman said that I would get a good job there. I had never felt so happy.

When we got off the bus in Dhaka, the woman went to talk to some friends of hers. She told me that they had agreed to take me to Satkhira. The woman said it would be good there, so we said goodbye and I went with the friends of the woman. When we got to Satkhira, we all went to stay at somebody’s house.

During the night I was raped so many times I can’t remember.

It happened again every night after that, until I just agreed to do what they said. I had to be with men every day and every night. There were some other girls there too. I stayed in that house for five years.

Then one day the police came and arrested everybody. We all went to safe custody, in prison. We had nowhere else to go and no one came for us. I stayed in the prison for several months. It was miserable and I was hungry all the time.

The people from the shelter home came to get me one day. Now I am 22 and I have been living in the shelter for 2 years. Here I do embroidery and make food for the other girls. What else is there for a woman to do? No one wants me. I want to go home. I have no home. I want to go home.”


Namita now has a two-year old son, most probably fathered by a client. She was rescued and sheltered by Concern Universal’s partner organisation the Dhaka Ahsania Mission (DAM), as part of their Child and Woman Trafficking Prevention Programme (CWTP).

DAM is a non-governmental organisation in Bangladesh working at the grassroots level as well as national and international levels. DAM works to render all possible help to the suffering humanity at large with a basic thrust on poverty alleviation and socio-economic empowerment of the poor, especially women.


The CWTP Programme aims to raise trafficking awareness within communities, arrange for rescue, repatriation, rehabilitation or reintegration of the victims of trafficking. DAM also runs a Shelter Home which provides basic health and psychological support, arranges resettlement of the rescued victims in their family and runs vocational and literacy programmes.


Names and places have been changed in the interest of privacy.

 

 

Atila
Rosie Barnes
Jerry Berndt
Tessa Bunney
Paul Cabuts
Michael Danner
KayLynn Deveney
Anne Kathrin Greiner
Observer Hodge
Nicolai Howalt
Fiona Jackson-Downes
Lorenz Kienzle
Lucy Levene
Edgar Martins
Ian Mitton
Jane Karup Pedersen
Julia Peirone
Wang Qingsong
Johanna Rylander
Annet van der Voort
Al Vandenberg
Michael Walter