In this intelligent and technically
interesting installation, inspired by Cindy Sherman's "Untitled
Film Stills", Stacey Whitaker has developed a unique piece of
work based on the family album. Originally fascinated by the old albums
and photographs in her family, she has taken this theme into a world
where all is not what it at first seems, and so she questions what
the carefully selected images in the family album are really about.
Presented as family pictures as they would normally be seen, in
an album, in the little frames on the dresser and side table, Whitaker's
self portraits document the styles of amateur photography over the
past eighty years. Carefully constructed from found locations, with
the clothing and body language styles of those varying 20th century
decades, the images even mimic the photographic paper and printing
styles of the period. But because we know these images are actually
all the same person, we can look beyond the technical issues and
the style of the time, to perhaps think about the person from the
past as being really just like ourselves.
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